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***
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WAY BEYOND THE BLUES
1. Medicine
Man - 3:13
2.
Come Home Baby - 7:50
3. Dead
Man's Money - 4:12
4. Greyhound
Bus - 3:56
5.
Damn That Guitar - 3:52
6.
Kill Me Quickly - 6:17
7.
I've Seen the Devil - 3:48
8. Please
Don't Love Me Anymore - 4:43
9.
Showed My Soul to You - 2:10
10.
Lil' Mambo - 4:36
11. Goin'
On - 9:16
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Joe Richardson
- Guitar, Harp, Vocals
Keven Phelan - Bass
Richard Lamm - Drums
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Joe Richardson was born in southern Louisiana's
Atchafalaya River Delta, pickin' & playin' has been a way
of life from an early age. At the age of 6 his grandpa gave
him a guitar from a pawn shop, and he taught himself to play.
Gaining experience from musical legends of the locale has allowed
him to develop a style consistent with his background. Submerging
himself totally in his music is what drives and has driven his
very existence for as long as he can remember. A versatile veteran,
he also plays fiddle and steel guitar.
Kevin Phelan was born in Levelland, Texas where
they dance in circles in the roadhouses, which kicks up a lot
of dust and causes lots of tornadoes, which attract extra terrestrials,
who taught Kevin the blues at an early age. "It all started
one day when he was choppin' cotton out in the July west Texas
sun. Things got kinda strange....." Over the years, he's
been schooled in the classics at Southwest Texas State University,
spanked by James Polk in his Little Big Band, and sanctified
through five years of Sundays jamming at Ted Hall's Blues Church.
After a very successful period of composing music for computer
games with The Fat Man(http://www.fatman.com), Kevin returns
to the local scene to join up with Joe Richardson.
We invite you to pick up our new CD. We think it will be as
wise an investment of your time & your hard earned dollar
as it is for those able to attend our live performances. For
the legions of dedicated blues fans, we think you'll find this
collection of songs to build some exciting new inroads from
the paths of our forefathers. For those of you who are new to
the Blues, or don't know jack other than you just like good
music, as long as you know Joe, you don't need to know jack!
www.joerichardsonexpress.com
Credits:
Mastering & Mixing: Dave McNair
Guitar, Harp, Vocals and Producer: Joe Richardson
Engineering: Steven Allen & Jack Rock
Executive Producer: Jack Rock
Review:
Of all the new material that I
have previewed in the past many months, this recording is by
far my personal favorite. "Way Beyond the Blues" is
a wonderful showcase of both Richardson's diverse influences
and outstanding musical talents. The recording bears a strong
electric delta blues likeness while at the same time remaining
fresh and original. There is a considerable Mississippi juke
joint influence evident throughout the recording, as well as
a goodly dose of Texas blues. The songs are all well written,
Joe Richardson originals and the lyrics are with purpose. Oddly,
the recording is somehow an extremely simple and straight-forward
effort, yet at the same time a very powerful work. The band
is three piece, with Joe Richardson providing the guitar and
vocals, Kevin Phelan adding solid acoustic and electric bass,
and Mike Taylor rounding out the lineup with some of the more
tasteful drumming I have heard in a while. The CD is simple,
in that there are no added players or extra instruments played
on multiple tracks. Despite its simplicity, this is powerful
and passionate music. What you hear from this band on this recording
is what you get live. "Way Beyond the Blues" has added
the name of the Joe Richardson Express to my list of "must
see" artists. The set opens with a very Louisiana flavored
"Medicine Man", which is Richardson's alter ego. After
a slow blues powerhouse "Come Home Baby", the track
"Dead Man's Money" offers the listener the first taste
of Richardson's stinging slide guitar. The following three tracks
include two of my personal favorites "Greyhound Bus"
and "Kill Me Quickly", which are both laced with gut
wrenching slide and soulful juke joint vocals. "Kill Me
Quickly" is especially good, and is what we used to term
as "boll weevil picking music". You folks from the
south will know what I mean, while all others may just prefer
to call it "evil". The other songs are all good, but
time and space are not sufficient here to allow me to say all
that I would like about this exceptional work. Suffice it say
that this recording comes with my "must own" seal
of approval.
Tom Branson
http://Gottheblues.com/
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